Ida B. Wells: Princess of the Press

You may know that Rosa Parks was far from the first black person in the United States to refuse ro vacate a bus seat for a white person. But did you know that 71 years before Rosa Parks, there was a black woman who refused to give up her seat… on the train? This was a woman who put her life on the line for decades to end lynching in the United States. This was a woman who helped found the NAACP. This was Ida Bell Wells-Barnett, better known as Ida B. Wells.

Ida was a tough one from the get-go. When, at age 16, her parents died from a Yellow Fever epidemic, she rolled up her sleeves, got a job, and worked to keep her siblings out of foster care. When she was 21, the conductor on a train on which she was a passenger ordered her to vacate her seat so that a white woman could use it. Ida refused. When the conductor tried forcibly removing her, she hooked her feet into the chair and refused to budge. When he tore her sleeve in the attempt, she scratched at him and bit him.

When a gang of men finally removed her from the car, she sued the entire train company, and won. (although it was later overturned via legal shenanigans)

When a gang of men finally removed her from the train, she sued the entire train company, and won.

But by far her most significant achievements were in her anti-lynching journalism.

So let’s talk about lynching. I’d wager that mostly what it conjures up is an image of someone being hung by a tree. The reality was usually far, FAR worse than that. We’re talking torture that would make Elisabeth Bathory or Wu Zetian shudder. If you have a weak stomach, you’re forewarned — but try to stick with it. It’s important you understand what this woman devoted her life to stopping. During my childhood, and I’m betting during yours too, these descriptions were constantly censored. Well, I’m not going to do that.

Here’s summaries of just a few lynchings that Ida would report on:

1892: Tommie Moss, Henry Stewart, and Calvin McDowell, who were shot to pieces (McDowell had literally fist-size holes in him). Moss died pleading for them to spare him for the sake of his pregnant wife. The thing that started this all off was, in all seriousness, a kids’ game of marbles. More on this in a bit.
1893: Henry Smith, whose clothes were torn off and kept as mementos by the 10,000-man crowd; who had red-hot iron brands placed all over his body for 50 minutes, until they finally burnt out his eyes and thrust irons down his throat; who was then set on fire, and when he managed to jump out (he was still alive!), was pushed back in. Someone made a watch charm from his kneecap. Photographers sold postcards of the event. His screams were recorded and sold on gramophone, like the world’s most fucked-up ringtone.
1898: Frazier Baker, whose only “crime” was being appointed a postmaster in a small South Carolina town. His house was set on fire, and when he and his family fled, they were all shot — everyone was wounded, with Frazier and his one-year-old baby killed. Their charred bodies were found near the wreckage of the house the next day.
1899: Sam Hose, for whose mob execution they arranged a special train so that more people could attend. He was first tied to a tree, stripped naked, and then mutilated: they severed his left ear, then his right. Then his fingers were lopped off and his penis sliced off. Then he was set on fire. As his body burnt, the crowd of 2,000 people cut off pieces of him as souvenirs. Bone bits were twenty-five cents and slices of liver, ten. Even the tree to which he was tied was chopped up and sold.
1904: Luther Holbert and a woman (presumed to be his wife), who were forced to hold out their arms as their fingers were chopped off. Their ears were cut off, their eyes poked out, and a large corkscrew was used to bore spirals of “raw, quivering flesh” out of their arms, legs, and bodies. Finally, they were burned to death.
1911: Will Porter, who was taken to an opera house, tied to the stage, and shot by people who bought tickets for the privilege.

If you need to go look at pictures of kittens for a second, I understand. I’ll still be here.

Back? Good. Now, remember the Moss incident, the one with the marbles? It’s important for a couple reasons: it’s the first lynching that really grabbed Ida’s journalistic attention (Moss was a friend of hers); it caused a mass exodus of blacks from Memphis (Ida bought a gun and stayed); and it’s a useful microcosm to examine lynchings as a whole. Now, while it’s true that the inciting incident was a kid’s game of marbles, the real story was that the three men killed were associated with a thriving black-owned grocery store that was taking away business from a nearby white-owned one. The white grocery’s owner was the ringleader behind the mob that ended their lives. He orchestrated the horrifying murder of three people for… basically, a better financial quarter.

So Ida got to work. The end result: Southern Horrors, a seminal pamphlet that blew the lid off of lynching myths. Prior to that, the widely-believed stereotype was that black men were out-of-control brutes who were constantly a hair’s breadth from assaulting white women – and somehow this was believable to a large swath of the population. I don’t know, man, they were still doing trepanning in those days.

Anyway, the common wisdom about lynching was that it was in response to black men raping white women. Except that was unadulterated horseshit, and Southern Horrors proved it. By analyzing a huge number of cases and laying them out in an academic manner, Ida showed that rape had nothing to do with a majority of lynchings, and that most of the time the reason was either political, economic, or plain ol’ racist violence against loving interracial relationships.

As you could imagine, this did not win her a lot of admirers in certain circles.

She stayed away, but kept writing, madder than the devil and twice as eloquent.

A week after she first reported on this, while she was away on business, a mob broke into the offices of her newspaper, the Free Speech, and burnt it to the ground (yes, they were literally eradicating Free Speech). The mob threatened to lynch her if she ever returned to Memphis. In response, she looked into returning to Memphis – only to be informed that a group of black men were organizing to protect her, should she return. Wanting to avoid a race riot, she stayed away, but kept writing, madder than the devil and twice as eloquent.

Despite all this, and the ever-present death threats, Ida continued putting herself in danger for the next forty years (!) by investigating and writing about lynchings. On more than one occasion, she passed herself off as a widow or a relative of the deceased in order to gain better journalistic access — an act which earned one of her contemporaries, who tried the same trick, his own lynch mob (thankfully, he escaped).

And she would not tone herself down.

Although people wanted her to! Oh, how they wanted her to! Early on, papers that championed her would slip in statements saying she’d “never get a husband so long as she lets those editors make her so hideous.” Even other activists asked her to quiet her fiery rhetoric. She never did.

For a good thirteen years, she was practically the only person doing investigatory journalism into lynching. Once others gained interest in the subject – in no small part due to her herculean efforts, which included speaking tours abroad, the establishment of a great many civil rights organizations, and endless reams of articles and pamphlets – she was relegated to a footnote. Despite her massive contributions to the cause, she was almost left off the NAACP’s founders list, due in no small part to some wanting to distance themselves from her forceful language.

In the end, she did have a family, marrying a man who supported and advocated for her. Together they had four children, with Ida bearing the first at age 34 and the last at 42. She would even bring her children with her on her speaking tours, declaring herself the only woman in US history to travel with a nursing baby to make political speeches. Her entire family got into the activism, too – once, while Ida was feeling despondent about going out to investigate yet another lynching, her son demanded she do so. “If you don’t,” he asked, “who will?” When she came around on the subject, the entire family was waiting, their things packed, to join her on her travels.

I don’t know about you, but that gives me the cutest mental image.

She died at age 68, almost done with her autobiography. The last chapter ended mid-sentence, mid-word.

Cut Content: Race Riots

I mentioned her staying away from Memphis because she wanted to avoid race riots. This is understandable — race riots were a recurrent problem of her era, and she didn’t want to be party to another one. Even calling them race riots doesn’t quite get at it, because it was usually more of a one-sided assault. A sampling of just a couple that occurred during her life (try and imagine any of this happening nowadays):

1898: The city of Wilmington, North Carolina had its newly-elected biracial city government overthrown by white supremacists in a coup d’etat. President McKinley and the federal government just looked the other way. The white insurrectionists won, gunning down a great number of blacks in the process. That’s right, there was never any happy ending here: the black people of Wilmington just packed up and moved away.
1908: In Springfield, Illinois, a 5,000-10,000 man mob of would-be lynchers, stymied from killing their intended targets by the county sheriff, rioted in black neighborhoods. They burnt down churches, business, and homes, killing many black citizens.
1917: In St. Louis, after a confusing early back-and-forth that resulted in some black citizens accidentally killing a police detective, a mob of white people stormed the black part of town, cut the water lines, set black peoples’ houses on fire, and shot at anyone who exited the buildings. Between 40-200 people were killed.
1919: In Chicago, 5 days of riots ended with 38 people dead, 537 injured, and over 1000 newly homeless. Arsonists took aim at black businesses and homes, laying steel cables across the street so the fire trucks could not pass.

(enjoy the art? you can get it as a poster, shirt or phone case!)

[click to hide/expand]

Art Notes

The inspiration for this post came a long time ago, from this Hark! A Vagrant comic. I started reading more about her, and I couldn’t stop.

Thanks go to my activist/feminist/socialist/rad-as-fuck friend Peta Lindsay. She, being far more knowledgeable about these matters than I, helped provide the proper context for this entry by (rightly) insisting on establishing the background of what Ida was up against. You can find her work here or follow her on twitter here!

She is depicted here being tossed off a moving train car, although it was definitely stopped when they forced her off. I wanted the image of her speeding towards the future, into the light (while the conductor is in the shadows).
She is, of course, striking a very animated princess kind of pose. I imagine a musical number happening at that very moment.
The train cars and outfit are period-accurate.
The flying papers represent her reams of writing, with the nearest one to camera being the actual cover for Southern Horrors.
Underneath the tree is a cut rope, being slowly blanketed by her work. I didn’t want to illustrate an actual lynching, or even a noose. I thought this was more poetically accurate to the spirit of her work, without being overly graphic.
The opossum in the tree is a callback to a Loyal League parade float, which featured a black man against a tree with a bunch of dead opossums (which I take were meant to symbolize lynchers). She was never directly involved with the Loyal League as far as I know, but they traveled in the same circles, and I liked the image as a euphemism.
The title “Princess of the Press” was an actual title applied to her during her life. The name was partly a reference to Gilbert and Sullivan’s “Princess Ida”, a comic opera about a feminist teacher.

If you were a Patreon backer,
you'd be seeing some cool stuff right here.

There's alternate versions, reference imagery, and timelapse videos for everything on here. But it's not too late - you can still become a backer! If you already are one, you can log in here!

(if you've bought one of the books, you get a month free of behind-the-scenes access - get that started here!)

[click to hide/expand]